Synopsis:

To create a version of Inglourious Basterds, which is less self-indulgent, at 102 mins, without any music and then add back in a single score from another movie to change the entire tone.

Intentions:

In this edit, Part 2 of an ongoing series, the score from VIOLENT CITY by Enio Morricone was used. Other versions may follow, each using music from just one cinematic score.

Change List:

The bloat has been removed, and extensive audio rebuilding was also required. Music was added in a disciplined manner adhering to the themes, motifs and more to apply the music with purpose. MUSIC CUES. All original music was removed barring 10 secs (can you find those pesky 10 seconds?). Many scenes use more than one cue to achieve the desired effect. DUCKING 397 level adjustments to the cues used. Mixing and editing of clips excluded. Cuts and Additions: VISUALS Changes count noted, but not details of every edit 001 ADDED FE LOGO 002 ADDED WRAITH LOGO 003 ADDED RED APPLE CREW MEMBER LOGO 009 ADDED CUSTOM pre-opening credits 010 REMOVED opening credits 049 REMOVED 12 mins from farm opening 051 FARM opening is in Black and White 081 ADDED 32 audio elements for sound rebuild 096 RESTRUCTURED interview and underfloor board shots, including cropping out Landa’s notebook for new pan down, which is repurposed 097 REMOVED Hitler’s rant 123 26 excisions from the forest scene to tighten up and accommodate new scoring 140 ADDED 17 audio elements for sound rebuild 142 two minor trims to mission briefing 143 ADDED insert shot of Paris cinema to Mission Briefing 165 ADDED 22 audio elements to Paris street sound rebuild 170 Entry to restaurant restructured to remove Zoeller 171 REMOVED ZOELLER and SHOSHANA meeting outside cinema. 172 REMOVED entire restaurant scene with Zoeller and Shoshana 174 REMOVED NITRATE FILM lecture by Samuel L Jackson. I mean, seriously. WTF! She tells us its explosive in the very next scene. 199 15 trims to excise Zoeller and pacing for re-scoring pre-Landa 232 ADDED 12 shots for new flashback in Black and White 247 15 trims and tweaks during Land’s arrival 250 3 minor trims during Land interview 251 Removed sex scene shot 278 ADDED 27 audio elements to sound rebuild in cinema foyer 283 5 trims to foyer scene for re- scoring purposes 305 ADDED 22 audio elements to SAFE HOUSE scene in village for re-scoring audio rebuild 336 36 trims to second part of TAVERN SCENE to remove the game. These changes were all made prior to The Tarantino Tales Episode 7, but used for that edit as well. 352 18 audio elements added during new restructured Shoshana “GETTING READY” scene, and re-timed for scoring. 366 14 minor trims for timings for re-scoring to same scene 374 REMOVED all Foyer Zoeller romantic inferences 375 REMOVED Landa’s laugh 376 REMOVED first exit from screening to explore 426 restructured and re-timed climax up to STAIRS for re-scoring; Zoellers intrusion is removed as well 438 23 audio elements added to pre explosion to rebuild audio for rescoring 439 REMOVED big slo-mo shot and no plays normally 463 ADDED new TOPAZ pass shots of explosion which were re timed and altered for speed. 474 21 shot alterations to climax 526 ADDED 52 new captions for custom end credits replacing bernsteins Basterds with Morricone's Basterds 527 ADDED RED APPLE CREW MEMBER logo 528 ADDED FE Logo 529 ADDED WRAITH logo

Additional Notes:

This edit is visually identical to Bernsein's Basterds. ONLY THE MUSIC scoring has been changed.

Other Sources:

FOLEY USED for sound rebuilding. SOURCE FREESOUND.ORG List only includes additional audio used and NOT any isolated audio from the original. No list for AI isolated dialogue is provided.

Special Thanks:

Futon88, ParanoidAndroid, BionicBob and Inightmares plus The Red Apple Crew.